Michael Shannon

Movie Review: State Like Sleep (2018)

Meredith Danluck’s State Like Sleep is one of those films that, despite disguising itself as a slow-burning mystery, reveals its thesis within the first 30 seconds. During a televised press interview, Belgian actor Stefan Delvoe (Michiel Huisman, “The Ottoman Lieutenant”) elaborates on the greater significance of being an actor, a filmmaker, and a person, “We…

Movie Review: What They Had (2018)

“Life leaps over oblivion lightly, losing only a thing or two of no importance and gloom is but the passing shadow of a cloud” — Yann Martel, Life of Pi Moments of crisis can bring a family closer together but can just as easily rip them apart. In first-time director Elizabeth Chomko’s What They Had,…

Movie Review: The Shape of Water (2017)

While we know that some monsters are decidedly not lovable, the creature in Mexican director Guillermo del Toro’s The Shape of Water, like many humans who roam the planet, is more of a lonely outcast seeking connection than a life-threatening presence. Performed by Doug Jones (“The Bye Bye Man”) underneath all the prosthetics, this monster…

Movie Review: Salt and Fire (2016)

The synopsis of acclaimed German director Werner Herzog’s 2016 thriller Salt and Fire, at first, seems to present a truly intriguing, unique and captivating story — “A renowned scientist is sent to Bolivia on an urgent mission to analyze a looming environmental catastrophe she along with her colleagues are deceived by a man claiming to…

Movie Review: Wolves (2016)

While its better scenes help to distract from these moments, clichés are still clichés, and no matter what strengths its actors might bring to the film, “Wolves” remains a bland, uninteresting drama that leaves the viewer feeling underwhelmed as its credits begin to roll.

Movie Review: Nocturnal Animals (2016)

Love. Loss. Regret. Betrayal. Pain. Memory. Revenge. Beauty. These are the oh-so-jolly palate of Nocturnal Animals, Tom Ford’s haunting, ethereal and quite extraordinary second feature. Ford crafts a remarkable, trifurcated narrative with exquisite precision, slipping between the life, memories and imagination of Susan Morrow (Amy Adams, “Arrival”) in a way that demands attention, stirs the…

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