On the surface Ari Aster’s Midsommar, is very similar to “Hereditary,” in that it too deals with a grieving protagonist who unwittingly finds herself slipping into the clutches of a murderous cult, but it deviates quite sharply from Aster’s debut feature in two interesting ways: One, it’s clearly a very dark comedy at times, not…
At the end of “Maze Runner: The Scorch Trials,” Thomas (Dylan O’Brien, “Deepwater Horizon”) and his friends have finally found solace in the mountains with a resistance group known as the Right Arm. Teresa (Kaya Scodelario, “Pirates of the Caribbean: Dead Men Tell No Tales”) reveals to Thomas she has betrayed them and their newfound…
With Detroit, Oscar winning director Kathryn Bigelow (“The Hurt Locker”) and her team have put together a kick-in-the-mouth, knock-your-socks-off movie experience you won’t forget in a docudrama staging of the Detroit race-riots of 1967. Starting with a routine police raid of an illegal after hours club where the local residents harass the police as they…
Needs to wake up. Must open his eyes. But he’s not asleep. The guy’s not sleeping; he just doesn’t want to be awake. John’s days aren’t at all a source of motivation, not even of mild excitement. He looks tired. He is tired. Tired of needing so much and of being needed even more. Tired…
Dedicated to David Jones Nature is not a survivor. Nature neither lives nor dies; it is in nature where everything that lives dies, and it is in it that everything that lives fights for survival. Nature is therefore the place of survival, but it is also its witness. For this is no inert space. More…
It’s no secret that the phenomenon commonly referred to as “young adult” has taken over the movies, and it’s also no secret that the girls are kicking butt and taking names in the genre’s linchpin franchises like “Divergent” and “The Hunger Games.” Well, ladies, the boys are back front and center in The Maze Runner,…
If the mind of “National Lampoon’s Vacation” director, Harold Ramis, was to morph with the unkempt, lewd intellect of Bob Saget or Louis C.K., you’d have the framework for We’re the Millers. It mixes harmless family humor with blandly offensive material, creating a slapstick comedy that, against what some may think is a good mix,…
