Mystery

Movie Review: Blackhat (2015)

From its opening images of our planet illuminated by technology, to a remarkable long take that takes the viewer through the inner operation and impact of computer processing, Blackhat hooks the viewer both emotionally and intellectually. The film delivers an enthralling rendering of both the macro and micro scale of our interconnected digital world, offering…

Movie Review: Inherent Vice (2014)

There’s walking in circles and then there’s walking in circles the Paul Thomas Anderson way. Whatever that means. Not that it matters. Who cares, anyway? A flippant attitude for a flippant movie. Except that Inherent Vice, Anderson’s latest and possibly his worst, is 150 minutes of flippancy, a wacky stumble into safe, though awfully off-putting…

Movie Review: Gone Girl (2014)

With now three adaptations of trashy page-turners under his belt, all of which have averaged out to pretty spotty final products, David Fincher seems to have his heart dead set on joining the cinematic pantheon of alchemists such as Brian De Palma and Stanley Kubrick who have successfully transformed lead into gold. However, the proper…

Movie Trailer: Inherent Vice (2014)

There’s a lot of questions being asked in Paul Thomas Anderson’s Inherent Vice, but don’t expect any answers. At least not in this first outrageous trailer. What you will get, however, is plenty of `70s inspired jargon to go along with a missing persons investigation. Based on a novel written by Thomas Pynchon, it has…

Movie Review: The Maze Runner (2014)

It’s no secret that the phenomenon commonly referred to as “young adult” has taken over the movies, and it’s also no secret that the girls are kicking butt and taking names in the genre’s linchpin franchises like “Divergent” and “The Hunger Games.” Well, ladies, the boys are back front and center in The Maze Runner,…

Movie Review: A Walk Among the Tombstones (2014)

Entering the theater to see A Walk Among the Tombstones, one might stumble and feel trapped in another cliché-ridden “Taken” in which Bryan Mills sternly promises, “I will find you, and I will kill you.” It’s an honest initial thought to have, however, once the film starts rolling, the stylish cinematography on the bleak streets…

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