Somehow Hollywood continues to search for different outlets to convey young love at the box office. Sure, the goal is always the same in terms of tapping into the youth market by promoting yet another transparent teen weepie, but this time with The Space Between Us it’s among the stars. Hey, youngsters need catering at…
Undoubtedly, Cannes produces a showcase selection of films considered artistic or valuable, but it also incurs the inevitable backlash. As such, being the winner of the Palme d’Or in the short film category, it’s impossible to respond to Timecode without fastidious scrutiny.
With a cut and a kick and an upbeat note, Damien Chazelle sure paints a pretty picture of classic Hollywood musical nostalgia, but La La Land is more plastic pastiche than poignant portrait. It’s a technical marvel that’s dramatically weightless, a boldly bravura effort from writer/director Damien Chazelle and his crew that’s also too cutesy…
Passengers, the newest Sony Pictures (Village Roadshow) release, directed by Morten Tyldum (“The Imitation Game”), is a visually stunning outer space adventure with a very good cast (Jennifer Lawrence, Chris Pratt, Michael Sheen, Andy Garcia and Laurence Fishburne) that fails to lift off due to an earth-bound, cliché-ridden script. That last item can be blamed…
Sometimes a film comes along at the right moment, providing exactly the sort of inspiration one needs in difficult times. Such a film is A United Kingdom, the true story of Seretse Khama (David Oyelowo, “Queen of Katwe”) and Ruth Williams (Rosamund Pike, “Gone Girl”), an African tribal prince and London office clerk who married…
Not all high school movies are the same. But if you were to map out the archetypal characters based on the films of the last thirty years, you’d probably come up with a list close to this one: You have your main character. They could be male or female, but they must be unpopular They…
Frank & Lola is a pleasant surprise at the end of the year as Oscar season looms ominously in the distance. If adverse to the dreck that usually goes up for the awards, Matthew Ross’s debut is an enjoyable and dark alternative.
