War

Movie Review: Waiting for Anya (2020)

Waiting for Anya, directed by Ben Cookson, who co-wrote the screenplay with Toby Torlesse, is a film that falls within a popular World War II sub-genre that focuses on a local conflict between German occupiers and French non-combatants, typically set away from the civilian centers that suffered crushing horror, destruction, and death. Based on a…

Movie Review: 1917 (2019)

1917 is director Sam Mendes’ first film since 2015’s 007 picture, “Spectre,” and no doubt reaches the pantheon of respected war films. A Best Picture contender at this year’s Academy Awards, the film is a visual masterpiece, aided by the lens of 15-time Oscar nominee Roger Deakins, strong direction and an uncompromising look at No…

Movie Review: The Kill Team (2019)

In the opening minutes of The Kill Team, we see brief glimpses of optimism, national pride, and infantry brotherhood from our titular platoon of soldiers — all of which ends up shattered well before the ten-minute mark as the horrors of wartime and their effect on those involved make themselves abruptly known. Nat Wolff (“Home…

Movie Review: The Burying Party (2018)

It is clear from the opening scene that The Burying Party, directed by newcomer Richard Weston, is undeniably ambitious — an important narrative about poet Wilfred Owen’s final months during World War I. Its execution, however, is poor. Weston’s independent film runs just an hour long, though the minutes that comprise it feel more laborious…

Movie Review: They Shall Not Grow Old (2018)

Director Peter Jackson’s body of work is extensive. He brought J.R.R. Tolkien’s Lord of the Rings saga to life in two award-winning trilogies, and his films have garnered dozens of Oscar nominations. Despite these cinematic feats, he perhaps has never helmed a project as significant as his 2018 documentary, They Shall Not Grow Old. The…

Movie Review: Darkest Hour (2017)

Allen Packwood, director of the Churchill Archives Centre referred to former British Prime Minister Winston Churchill as an “incredibly complex, contradictory, and larger-than-life human being.” This complexity is lost, however, in Joe Wright’s (“Pan”) Darkest Hour, a look at a crucial time in British Prime Minister Churchill’s stewardship that covers the period from May 10,…

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