A zombie outbreak has hit the world pretty hard in Jeff Barnaby’s gnarly apocalyptic horror thriller Blood Quantum. Well, except for the isolated Mi’kmaq reservation, whose inhabitants appear to be immune the virus. As the Native peoples are beset by townies and tourists alike who stream to their lands seeking refuge and possibly a cure,…
The film Robin’s Wish is a 77-minute documentary about Robin Williams, who died tragically by suicide in 2014 at the age of 63 as a result of the brutal disease called Lewy Body Dementia. The catalyst for producing the film was Susan Schneider Williams, Robin’s widow, who wished to explain the anguish Robin experienced and…
In filmmaker Erik Nelson’s unfiltered new World War II documentary, Apocalypse ’45, viewers are thrust into the final days of merciless war in the Pacific Theater, a small-gain, island-by-island approach against a dogged Japanese enemy that viewed surrender as weakness. As an often overlooked facet of World War II, the Pacific killed or wounded some…
Dollhouse: The Eradication of Female Subjectivity from American Popular Culture might be the most grotesque and nauseating films you see this year. It might also be one of the most relevant and important. Following the story of (fictional) teen pop music sensation Junie Spoons, Dollhouse is a mockumentary in the style of a tabloid news…
“My mother died when I was seven years old — car accident. I saw it two months before it happened.” — Jimmy, “Volition” Writer/director Tony Dean Smith introduces us to Jimmy (Adrian Glynn McMorran, “Warcraft”), a small-time criminal blessed with supernatural clairvoyance. Jimmy foresees fragments of his future as a series of acid flashbacks —…
Jenny Slate’s latest dram-rom-com vehicle, The Sunlit Night, seems like a bit of a rehash of her previous film, “Obvious Child.” There are certainly some broad similarities: Her character Frances has just gotten out of a relationship and she’s in a slump both romantically and professionally. So it is no wonder Slate brings the same…
Danny Wolf’s three-part documentary sets itself a tall order. Identify, present and discuss a set of cult films, all the while trying to define what a cult film is and why. For the most part, director Wolf and his co-writers Paul Fishbein and Irv Slifkin succeed in this convoluted and potentially confusing task as, with…
