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Movie Review: Blockers (2018)

While the teen sex comedy Blockers brings on the typical roller-coaster of raunchiness, it somehow registers devilishly with an offbeat, uproarious take on the trials and tribulations of stress-induced parenting and safeguarding the so-called virtues of impressionable daughters from predatory prom dates. With a deft hand, director Kay Cannon (screenwriter for the “Pitch Perfect” trilogy…

Movie Review: Super Troopers 2 (2018)

“Jay Chandrasekhar helms this wacky vehicle with all the conviction of a defective police siren . . . feels more like an excuse for Chandrasekhar and his fratboy Broken Lizard comedy troupe players to merge and serve up their pet project just to kill some time.” — Frank Ochieng’s critical take on 2001’s “Super Troopers”…

Movie Review: Lean on Pete (2017)

“Oh, God, make small the old star-eaten blanket of the sky, that I may fold it round me and in comfort lie” — T.E. Hulme, “The Embankment” When I first heard about British director Andrew Haigh’s (“45 Years”) Lean on Pete, it sounded like a warm, cuddly drama about horses, perhaps an updated version of…

Movie Review: The Rider (2017)

The Rider is an unflinching tribute (and one that made me flinch) to those who fully inhabit the present and “live their lives 8 seconds at a time.” It’s this short term thinking that renders it impossible for rider Brady Blackburn (Brady Jandreau) to dream of a life beyond those series of seconds at the…

Movie Review: Obey (2018)

Obey lays out its elements early on, declaring its setting, its interest and its milieu from the opening shot. Yet, within this shot and throughout the film, writer-director Jamie Jones also defies expectation. In the opening sequence before the titles, a deep focus long take captures six young people work towards the camera, discussing the…

Movie Review: Unsane (2018)

Steven Soderbergh’s reputation as an iconic filmmaker who has retired and unretired multiple times seems contradictory when watching one of his new movies, not merely because the movie exists, but also because his work feels like the product of someone who is always moving, always trying, always doing. Much of his focus in the past…

Movie Review: Wildling (2018)

Hot off its debut at the South by Southwest Film Festival comes Wildling, a horror-drama that focuses on a young girl named Anna (Bel Powley, “The Diary of a Teenage Girl”). Locked away in an isolated cabin since infancy, Anna only receives glimpses into the outside world through stories told by her Daddy (Brad Dourif,…

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