Movies can’t always be cut and dry. It’s often easy to walk away from a film and declare whether or not you liked it or whether or not it was effective, but every now and then, there’s a project that cannot be so easily labeled. For better or worse, this is the case with Like…
After such critical bombs and/or not very good comedies as “The Hangover Part III,” “Tammy” and “Identity Theft,” there’s finally a Melissa McCarthy vehicle we can smile and laugh at — intentionally. Unfortunately, her latest turn in the new Paul Feig (“Bridesmaids,” “The Heat”) directed film, Spy, as an unprepared, mousy analyst/secret agent, loses those…
In the indie thriller, Private Number, writer Michael Lane (Hal Ozsan, “Redline”) is under a lot of pressure. His first novel, Knight Fire, did reasonably well, and now, he’s really struggling to write his second. His loving wife, Katherine (Nicholle Tom, “Hang Loose”), has recently opened her own boutique and really, really wants to have…
The name “Stephen King” is synonymous with horror and indeed with movies in general. With such famous associations as “The Shining,” “Carrie,” “Misery,” “Salem’s Lot,” “Pet Cemetery” as well as “The Shawshank Redemption” and “The Green Mile,” not to mention television horror “It,” “The Tommyknockers” and “The Stand,” the King brand is one that continues…
Mad Max: Fury Road has an eclectic collection of keywords listed on its main IMDb page like: “desert,” “feminism,” “pregnant woman,” “exploding car,” “peak oil,” and “dark future.” Oddly enough, they’re all fairly accurate. The film, marking the fourth installment in George Miller’s “Mad Max” series (and the first without Mel Gibson), follows Max (now…
“Not in the hands of boys, but in their eyes shall shine the holy glimmers of good-byes” — Wilfred Owen, “Anthem for Doomed Youth” In 1915, Australian and New Zealand (Anzac) soldiers formed part of the expedition that set out to capture the Gallipoli peninsula in Turkey in order to open the Dardanelles to the…
There’s plenty to like about director Daniel Espinosa’s (“Safe House”) latest politically-driven crime thriller, Child 44. There’s a strict hierarchy of Iron Curtain power, no holds barred bloodshed, costumes that rival the best period pieces and, most importantly, a mesmerizing story (based off of Tom Rob Smith’s novel bearing the same name). There’s plenty of…
