Having already won an Academy Award for his short film “Helium,” director Anders Walter makes a strong feature film debut with I Kill Giants, a reasonably touching, visually captivating adaptation of Joe Kelly’s comic book series of the same name. The story centers around Barbara (Madison Wolfe, “The Conjuring 2”), a tenacious fifth grader who’s…
History lessons don’t have to be boring. But when they are, the problem usually lies with the execution of the presentation of the information. This happens to be the unfortunate circumstance of accomplished writer-director Armando Iannucci’s latest film, The Death of Stalin, which takes a satirical look at the death of Josef Stalin and the…
Thoroughbreds has completely reinvented the concept of a haunted mansion, having mercifully put the former out to pasture and out of its misery. This particular mansion is home to Lily, a polished upper-class teenager with a fancy boarding school on her transcript, a coveted internship on her resume, and a penchant for short shorts and…
With a CRACK! that delivers aural and narrative impact, Red Sparrow lays out its cards early on. This CRACK! occurs during a ballet and highlights a key tension of such a performance — any mistake can be disastrous. In this case, the incident involving the CRACK! does prove devastating and foreshadows the ruin to come….
The word allure is defined as the quality of being powerfully and mysteriously attractive or fascinating. In the film Allure, formerly titled “A Worthy Companion,” Laura (Evan Rachel Wood, “The Ides of March”) fascinatingly conveys both power and mystery. We first glimpse her inviting a random man into her home and into her bed. With…
Interestingly Death Wish, the millennial-era remake of the gritty mid 70’s crime thriller of the same name, notoriously arrives in theaters at an increasingly awkward moment in a divisive national climate (particularly in the aftermath of the most recent high school shooting) where the political stakes regarding gun violence in America are at an all-time…
Midway through The Vanishing of Sidney Hall, in the midst of a breakdown (breakthrough?), surrounded by his typewriter and empty bottles and strewn about pages, signifiers of talent devolving into madness, the successful yet troubled novelist at its center self-consciously admits to having recently written only “first lines and first pages. No middle. No end.”…
