Vampyres is based on a 1974 cult classic. I haven’t seen the original, but it looks perfectly sleazy, decadent, and nasty, so I’m sure it’s right up my alley. Unfortunately, its successor is charmless and devoid of such luxuries as acting and a decent script. Which kind of means it fails at being a bad…
While this J.A. Bayona (“The Impossible”) directed effort (based on a best-selling book by Patrick Ness), A Monster Calls, is a wonderful visual and visceral experience (and currently has critics fawning all over themselves), I, for one, can only wonder for whom this film was made. It’s certainly too dark and foreboding for children —…
Undoubtedly, Cannes produces a showcase selection of films considered artistic or valuable, but it also incurs the inevitable backlash. As such, being the winner of the Palme d’Or in the short film category, it’s impossible to respond to Timecode without fastidious scrutiny.
School movies, as a general rule of thumb, can usually be counted on to feature either an inspirational teacher or a terrible one. There’s little room for in-between. Kristóf Deák’s dramatic short Sing (Mindenki) opts for the latter, telling the tale of a kids’ school choir in Budapest that’s run by perfectionist singing teacher, Miss…
When American audiences last saw our diminutive chopsocky champion, Jackie Chan, he was kicking butt and taking numbers alongside “Jackass” and “The Dukes of Hazzard” star Johnny Knoxville in the flaccid and forgettable 2016 voltage vehicle “Skiptrace.” Well, the sixty-something martial arts megastar has found yet another frenetic farce to strut his stuff as he…
The end of the world is a lonely proposition in Lluís Quílez’s grim 30-minute short Graffiti, about a single survivor in a post-apocalyptic city who wanders around the shell of an empty apartment complex with his dog in search of food, people, anything. Edgar (Oriol Pla, “Year of Grace”) doesn’t have a lot to live…
With a cut and a kick and an upbeat note, Damien Chazelle sure paints a pretty picture of classic Hollywood musical nostalgia, but La La Land is more plastic pastiche than poignant portrait. It’s a technical marvel that’s dramatically weightless, a boldly bravura effort from writer/director Damien Chazelle and his crew that’s also too cutesy…
