Mary and the Witch’s Flower, based on the English book “The Little Broomstick” by Mary Stewart, is the first female-led action action fantasy film exploding into theaters in 2018. Originally released in Japan in 2017 this new movie, engineered by some of the directors and animators behind classic cartoon adventures such as “Spirited Away,” “Howl’s…
Time Share (Tiempo Compartido) is set in an oppressive, claustrophobic time share community called Vistamar, a vacation spot owned and operated by Everfields International. The latter is a phantom company purportedly headquartered in Tucson, Arizona, perhaps a nod to the very American-style promise of fun and restoration that the community promises its guests. However, the…
The story of A Woman’s Life (original title “Une vie”) centers around Jeanne Le Perthuis des Vauds (Judith Chemla, “In the Name of My Daughter”). Like most women of her time and place (19th-century France), she exists only to suitably and fruitfully marry. She spends her days reading or playing backgammon with her parents, engaging…
In Kedi, Ceyda Torun’s documentary about the cats of Istanbul, Turkey, one interviewee says that cats can be “cold and abrasive” and that a relationship with a cat is like “having a friendship with an alien.” Not having too many friendships with aliens lately, I cannot comment on that, but it is clear that, whether…
As the year ends and holidays approach, more and more Oscar bait gets churned out for Academy consideration. Lost in this glut is the release of lesser-known foreign films that get quickly shoveled into American obscurity after getting viewed by a privileged select few. Lost in Paris, sadly, will likely become of those undiscovered gems….
According to Swedish director Ruben Östlund (“Force Majeure”), society today has turned its back on the social contract, the obligation that people not only express their concerns for other’s well-being but act upon them in concrete and meaningful ways. Winner of the Palme d’Or at the 2017 Cannes Film Festival, Östlund’s latest film, The Square,…
Based “mostly” on a true story (in other words, fictional), Stephen Frears’ (“Florence Foster Jenkins”) Victoria and Abdul is an ode to the warmth of simple friendship and the wonders of British colonialism. Based on the book by Shrabani Basu with a screenplay by Lee Hall (“War Horse”), it is an engaging film about the…
