Movie Review: Catch 22: Based on the Unwritten Story by Seanie Sugrue (2016)
If attempting to make a film that might be considered edgy, make absolutely certain that it is an audacious work and not just an exercise in being insufferable.
If attempting to make a film that might be considered edgy, make absolutely certain that it is an audacious work and not just an exercise in being insufferable.
Passengers, the newest Sony Pictures (Village Roadshow) release, directed by Morten Tyldum (“The Imitation Game”), is a visually stunning outer space adventure with a very good cast (Jennifer Lawrence, Chris Pratt, Michael Sheen, Andy Garcia and Laurence Fishburne) that fails to lift off due to an earth-bound, cliché-ridden script. That last item can be blamed…
The cerebral time-travel thriller Counter Clockwise is quite a piece of work, with a punchy script and tight editing and direction, all set to an eerie score. If you enjoyed Shane Carruth’s “Primer,” take a gander at this one — it has all of the intriguing metaphysical concepts, but is a little easier to follow….
The Devil does many things in movies. He rides out, he has a brigade, he hangs out with Miss Jones and Daniel Webster, and he even thumbs a ride. And, apparently, he lives in a farmhouse in rural Brazil in the aptly named The Devil Lives Here. (This would be useful information for the local…
The Romanian found-footage movie Be My Cat: A Film for Anne is about an aspiring filmmaker who goes to some unusual lengths to convince actress Anne Hathaway to appear in one of his films. This sounds like a fine premise for a horror movie, but the result is more of an uninspired, tedious thriller wannabe…
Frank & Lola is a pleasant surprise at the end of the year as Oscar season looms ominously in the distance. If adverse to the dreck that usually goes up for the awards, Matthew Ross’s debut is an enjoyable and dark alternative.
Love. Loss. Regret. Betrayal. Pain. Memory. Revenge. Beauty. These are the oh-so-jolly palate of Nocturnal Animals, Tom Ford’s haunting, ethereal and quite extraordinary second feature. Ford crafts a remarkable, trifurcated narrative with exquisite precision, slipping between the life, memories and imagination of Susan Morrow (Amy Adams, “Arrival”) in a way that demands attention, stirs the…