PG-13

Movie Review: A Monster Calls (2016)

While this J.A. Bayona (“The Impossible”) directed effort (based on a best-selling book by Patrick Ness), A Monster Calls, is a wonderful visual and visceral experience (and currently has critics fawning all over themselves), I, for one, can only wonder for whom this film was made. It’s certainly too dark and foreboding for children —…

Movie Review: Railroad Tigers (2016)

When American audiences last saw our diminutive chopsocky champion, Jackie Chan, he was kicking butt and taking numbers alongside “Jackass” and “The Dukes of Hazzard” star Johnny Knoxville in the flaccid and forgettable 2016 voltage vehicle “Skiptrace.” Well, the sixty-something martial arts megastar has found yet another frenetic farce to strut his stuff as he…

Movie Review: La La Land (2016)

With a cut and a kick and an upbeat note, Damien Chazelle sure paints a pretty picture of classic Hollywood musical nostalgia, but La La Land is more plastic pastiche than poignant portrait. It’s a technical marvel that’s dramatically weightless, a boldly bravura effort from writer/director Damien Chazelle and his crew that’s also too cutesy…

Movie Review: Florence Foster Jenkins (2016)

Florence Foster Jenkins singing voice was flat and off-key, yet her generosity to others, friendship with music greats such as Arturo Toscanini, and love of music brought happiness to many during the dark days of World War II. Labeled by some intemperate critics as “the worst singer in the world,” she is given something of…

Movie Review: Passengers (2016)

Passengers, the newest Sony Pictures (Village Roadshow) release, directed by Morten Tyldum (“The Imitation Game”), is a visually stunning outer space adventure with a very good cast (Jennifer Lawrence, Chris Pratt, Michael Sheen, Andy Garcia and Laurence Fishburne) that fails to lift off due to an earth-bound, cliché-ridden script. That last item can be blamed…

Movie Review: Fences (2016)

Two powerful lead performances drive Fences, a tale about a black family living in Pittsburgh during the mid-1950s, that, while the overall experience is mostly negative, the impact is nonetheless a powerful and emotional undertaking. The screenplay is adapted from the 1983 Pulitzer Prize winning play by the late August Wilson, which was revived in…

Movie Review: Lion (2016)

“And I shall rest my head between two worlds, in the Valley of the Vanquished” — Léolo, Jean-Claude Lauzon Whether Harvey Weinstein’s purpose in producing Lion was to add to his collection of Oscars or just to tell a sweet, heartfelt story about a lost boy searching for his home, the result is that he…

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