Part family drama, part mystery, part slapstick comedy, and part mad-scientist movie, Men & Chicken is one of the most bizarre and original films I’ve seen. Writer and director Anders Thomas Jensen combines all those elements like a mad-scientist himself, conjuring up an absurd story full of grotesque characters, and translates it on-screen in an…
Films centering around the American military generally fall into two camps: Pro-war and anti-war. The U.S. military will always be a subject of extremely dichotomized opinions and, as such, films revolving around a soldier will generate polarizing reactions depending on its approach and on an individual’s personal beliefs. Where Birthday lies between these opposing sides…
Writer-director Barry Jenkins (“Medicine for Melancholy”) delves into a power-driven coming-of-age drama detailing the tremendous angst-ridden existence of an impoverished Miami-based gay black youth struggling with self-identity and self-worth in the unflinching and revealing drama Moonlight. Convincingly raw and roughly poignant, Moonlight pushes some psychologically and emotionally charged buttons in a gritty and unforgettable narrative…
Philosophers throughout history have wrestled with the question of ends and means, right and wrong, and good or bad. Socrates said, “It is never right to do wrong.” Others maintain that it is right to act in such a way that it produces the most desirable consequences whether or not it follows society’s rules. For…
Well, the title of this action-thriller, Jack Reacher: Never Go Back, warns you to “never go back,” but when the first movie bankrolls more than $100 million, that adage seems to go right out the proverbial window. Part of the fun (although some would say “ridiculousness”) of films like “Jack Reacher” — and the James…
Short films can achieve many things in their compact running time, but the teasing out of a character-driven mystery is surely one of their most intriguing aims. Oliver S. Milburn’s tight little real estate drama Dunroamin is seemingly about nothing more than a young man touring a nice country house that is up for sale,…
Xavier Dolan opens It’s Only the End of the World with the caption: “Somewhere a while ago, already.” The comma is extremely important, as it plays with the past tense of a while ago and the present tense of the already, almost as a physical presence, already there. It was a while ago since I…
