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Love, Kennedy (2017) by The Critical Movie Critics

Movie Review: Love, Kennedy (2017)

Inspirational dramas are inherently uplifting, motivational and psychologically gripping. Their feel-good elements or inevitable triumph-into-tragedy climaxes are the functional foundations behind rewarding, emotionally-charged cinema. However, tear-jerking tales of adversity sometimes often fall into the realm of derivative dramatics that register in mawkishness despite their well-intentional pursuit of truthful sentimentality. Writer-director T.C. Christensen’s (“The Cokeville Miracle”)…

Rough Night (2017) by The Critical Movie Critics

Movie Review: Rough Night (2017)

Oh no, ladies, what are youse doing? Not asking this is not an option when every action to clear bride-to-be Jess (Scarlett Johansson, “Hail, Caesar!”) and her friends’ involuntary-manslaughtering ways in Rough Night is just reducing Lt. Horatio Caine and team’s investigation time. The bachelorette’s activist friend Frankie (Ilana Glazer, “The Night Before”) said it…

It Comes at Night (2017) by The Critical Movie Critics

Movie Review: It Comes at Night (2017)

As rendered in the gut-wrenching “Krisha,” director Trey Edward Shults’ debut film, those with blood ties are hornets that can sting more than their natural counterpart. The within-is-more-volatile notion is elevated in Shults’ second outing, It Comes at Night, that takes place in a world upturned by an unnamed disease. For a while now, 17-year-old…

The Eyes of My Mother (2016) by The Critical Movie Critics

Movie Review: The Eyes of My Mother (2016)

A woman (Diana Agostini, “The Eyes of Van Gogh”) looks out the window of her remote hillside home. A strange man (Will Brill, “Girls Against Boys”) is talking to her young daughter, who was playing in the garden. She goes out to investigate. He gives her a too-bright smile and asks when her husband will…

The Last Laugh (2016) by The Critical Movie Critics

Movie Review: The Last Laugh (2016)

“A word — you know: a corpse. Come let us wash it, come let us comb it, come let us turn its eye heavenward.” — Paul Célan, “Nocturnally Pursed” In 1951, a little more than six years after the Nazis were defeated and the last camp debarred, the German philosopher and critical theorist Theodor Adorno…

Movie Review: Catch 22: Based on the Unwritten Story by Seanie Sugrue (2016)

If attempting to make a film that might be considered edgy, make absolutely certain that it is an audacious work and not just an exercise in being insufferable.

Collateral Beauty (2016) by The Critical Movie Critics

Movie Review: Collateral Beauty (2016)

There’s no clever way to lead into this, so I’m just going to state it plainly: Collateral Beauty is a disaster in every possible way. Trying to explain why is a tall order, as I will have to disclose core plot details that were cleverly withheld from the misleading trailers. So if you consider that…