Fear that your children may mimic your worst qualities is the driving force in Hirokazu Koreeda’s (“Our Little Sister”) After the Storm (Umi yori mo mada fukaku), a compassionate look at the struggles of a Japanese family. Its title derived from the lyrics of an old pop song, the film is set in Kiyose, a…
Dedicated to Ozu star Setsuko Hara, Argentine director Matías Piñeiro’s Hermia and Helena follows his three previous films, “Viola,” “The Princess of France”, and “Rosalinda,” with a work depicting characters loosely based on female heroines in William Shakespeare’s comedies. Shot in Buenos Aires and partly in New York, the film centers on Camila (Agustina Muñoz,…
There exists no alternative in critiquing James Steven Sadwith’s Coming Through the Rye without first discussing the novel which both its title and story derives from. Personally speaking, I never finished reading The Catcher in the Rye. Despite the national uproar that the novel stirred by its addition to school curriculums in the United States,…
In a scene near the end of Downhill, a scowly, bald-headed ruffian mutters, “What a waste” just before blowing someone’s head off. The statement could also serve as an unfortunate slogan for the movie itself: An interesting premise and a gorgeous setting undermined by spotty writing and hysterical overacting. It’s almost bad enough to someday…
First of all, despite the title, The Birth of a Nation, this film is in no way connected to the 1915 silent classic directed by D. W. Griffith. Secondly, I was led to the “Confessions Of Nat Turner” (the real jailhouse interviews in 1831, not the 1967 William Styron novel) from an article in “The…
Upon the release of “The Human Centipede (First Sequence),” many were rightfully disgusted and offended. Despite feeling very amateurish in its filmmaking, it garnered legs by playing on its audience’s morbid curiosity, and it often did so through mere suggestion rather than explicitly showing you horrifying things. However, once the the film’s popularity was at…
ClownTown is definitely not a movie for all you coulrophobics out there. It is, after all, a movie about killer clowns, and they’re not even from outer space this time. There’s no humor to be found here either, because they’re, well, killer clowns. It’s intended to be a scary, scary film, and it largely succeeds….
