One of the main aims of a whodunnit mystery movie is to ensure that the audience doesn’t guess who done it, so by that metric, London Fields misses its mark entirely. It’s the rare movie that plays its cards so early that anyone paying even a sliver of attention during the first two minutes can…
On its face, Where Is Kyra? tells the story of an unemployed divorcée, Kyra Johnson (Michelle Pfeiffer, “Dark Shadows”), whose life falls into further disarray following the death of her mother. Struggling to make ends meet, her judgment clouded by grief, she soon resorts to desperate measures in order to avoid being evicted from the…
Despite being a relatively well-made, exceedingly well-acted film, Submission has a litany of significant and fundamental flaws that simply cannot be ignored. Written and directed by Richard Levine, the film is based on Francine Prose’s novel Blue Angel, and tells the tale of Ted Swenson (Stanley Tucci, “Transformers: Age of Extinction”), an author and creative…
Mr. Roosevelt is a quirky comedy written, directed by and starring comedian Noël Wells (“The Incredible Jessica James”) and is about a struggling funny person who travels from Los Angeles back to her old stomping grounds in Austin, Texas when a loved one falls ill. While there, she has the misfortune of staying with her…
The irony and timely arrival of the conscientious and stirring drama Shot should not be lost on a majority of savvy movie-goers and television addicts. First, the film’s lead, Noah Wyle (also one of the many producers behind this urban narrative’s stark commentary on senseless violence), played a young dedicated doctor used to helping critically…
The Ottoman Lieutenant is a modest yet powerful film, one that sweeps the viewer into its world with majestic scope, while maintaining a keen eye for detail and never offering more than it can deliver. Romance, coming of age, duty and responsibility, violence and compassion, politics and history come together in an impressive whole, captured…
All of its potential and promise is thwarted by an incessant reliance on cliché. What’s left is a story that has nothing intriguing or ingenious to offer and so feels underwhelming from start to finish.
