It’s a rare piece of cinema that is able to hearken back to atrocities committed during World War II through spoken recollections in the midst of a home invasion plot, but that’s exactly what we’ve been given with Winter Hunt (“Winterjagd”). Astrid Schult has crafted a unique, aging Nazi thriller, brimming with unending desires to…
Co-directed by Julie Cohen (“American Veteran”) and Betsy West, RBG is a celebration of the life and career of 85-year-old Supreme Court Justice Ruth Bader Ginsburg, also known as the “Notorious R.B.G.,” a reference to the famous rock star “The Notorious B.I.G.,” and the title of a book about her by Irin Carmon and Shana…
I think it’s fair to say that Last Seen in Idaho is a well-balanced, albeit cheesy, thriller. It has a straightforward plot with the expected number of twists and it includes strong, believable, even relatable lead characters who are portrayed with an acceptable level of competence. Now, I know that sentence isn’t exactly a ringing…
On its face, Where Is Kyra? tells the story of an unemployed divorcée, Kyra Johnson (Michelle Pfeiffer, “Dark Shadows”), whose life falls into further disarray following the death of her mother. Struggling to make ends meet, her judgment clouded by grief, she soon resorts to desperate measures in order to avoid being evicted from the…
What is the cost to become beautiful? To be considered beautiful? Deep(ish) questions like that usually reside in dramas, but they can also be thoughtfully explored in comedies. It is this subject (among others like friendship and self-worth) that comedian and actress Amy Schumer tackles in her new film, I Feel Pretty. Although she stumbled…
Steven Soderbergh’s reputation as an iconic filmmaker who has retired and unretired multiple times seems contradictory when watching one of his new movies, not merely because the movie exists, but also because his work feels like the product of someone who is always moving, always trying, always doing. Much of his focus in the past…
Video game movies have sucked for decades, so when a kind of good one comes along, it arrives with the benefit of basement-dwelling expectations. This could be the explanation for why Roar Uthaug’s lean, lithe reboot Tomb Raider is so clearly silly and yet strangely satisfying at the same time. Or perhaps the movie works…
