In Delusion, Frank Parrillo (David Graziano, “A Life Not to Follow”) is a middle-aged man still coming to terms with his wife’s death three years prior. After receiving a bizarre letter from her, he begins to move on and pursue a new love life. After he initiates a relationship with a mysterious woman (Jami Tennille,…
In The Shepherd, we meet Anselmo (Miguel Martín, “Cell 211”) on a day much like any other in his modest, repetitive life. He wakes up in his one-room farmhouse. He feeds his precious dog Pillo, he has breakfast, he showers. He spends the day with his sheep, reading and skimming stones when time permits. He…
From its opening shots of a city by night to its final image of a teenage boy entering an apartment block, La Granja (English title: “The Farm”) declares its interconnectivity and sociological credentials for all to see. Set in the Barrio La Esperanza area of Puerto Rico, writer-director Angel Manuel Soto’s film presents three narrative…
Abbie Cornish (“Seven Psychopaths”) finds herself battling ghosts both metaphorical and literal in mystery thriller Lavender, which manages to be a decent enough flick in spite of its wholly derivative construction. Cornish plays Jane, mother to a precocious daughter (Lola Flanery, “The Mist” TV series), wife to a possibly philandering husband (Diego Klattenhoff, “Pacific Rim”),…
The synopsis of acclaimed German director Werner Herzog’s 2016 thriller Salt and Fire, at first, seems to present a truly intriguing, unique and captivating story — “A renowned scientist is sent to Bolivia on an urgent mission to analyze a looming environmental catastrophe she along with her colleagues are deceived by a man claiming to…
Beth and Kate (Jocelin Donahue, “Knight of Cups”) are twins, and each is experiencing her late 20s in quite a different way. Kate is stable, confident and popular; Beth, living with her parents, is nervous and reclusive, and fearful of relapse. Beth is afflicted by “sleep paralysis,” a condition whereby the mind is awake but…
In Circles, a based-on-fact drama about crop circles in England, is unfortunately inert and dead on arrival. It’s a muddled ball of confusion that struggles fruitlessly to provide some sort of context or emotional connection among the characters, the audience, and the plot. Otherwise, it’s not really terrible. A reporter, Lara (Cassandra Thomas, “The Duchess…
